The south of France with vintage fashion expert Marie Berry Laboucarié
08.35.2025
Do you ever look at old images of family members and spot something special that someone is wearing?
Marie Berry Laboucarié grew up in the south of France surrounded by women who had impeccable taste. Many years later she finds herself still in love with vintage fashion and now wearing her mums vintage Kenzo and Burberry.
Shot in the very provenance that sparked her passion, Marie styles some past, current and coming soon OC proving that fashion really does come full circle.
Can you tell us how you ended up in New York and what led you to start your business Nina Gabbana Vintage?
I started my business six years ago, while I was still living in Paris. Before becoming a vintage seller, I was actually a collector. I grew up in the south of France in a family of women who were all very fashion-conscious and had impeccable taste. My aunt wore Thierry Mugler in the '90s, my mom loved Christian Dior, and my cousin was obsessed with Chanel. One of my half-sisters worked at a Gucci store in Italy in the '90s, and another one was a fashion designer. Fashion was all around me growing up, and I fell in love with it at an early age. When I was 18, my mom started getting rid of some pieces she wasn’t wearing anymore because her style had changed. I knew I had to keep them—so unique and with so much sentimental value—and that’s how I started building my personal collection. At the time, no one in the south of France was really interested in '80s, '90s, or early '00s designer pieces, so I could find vintage Christian Dior items for the same price as something from Zara or H&M. That’s how I was able to keep growing my collection.
Six years ago, I started selling some of the pieces I was ready to part with. I had a little Etsy shop, and every time I posted something, it would sell right away. From the very beginning, most of my clients were American women, and I could tell there was an opportunity to turn this into a business. I decided to leave my job at a French womenswear brand in Paris and focus on growing Nina Gabbana Vintage full-time.
Now, six years later, Nina Gabbana Vintage is my main business and my only source of income. I've hit so many milestones along the way, and I’m incredibly grateful for everything my business has taught me—and continues to teach me.
Have you found the customers are different in New York to France? And how has this affected your own personal style?
Honestly, I’ve found that in recent years, fashion in NYC and France feels pretty similar in some ways, but there are definitely still some differences.
For example, athleisure. Since moving to New York, I’ve never been more tempted to wear leggings or biker shorts! There’s this relaxed, casual vibe here that doesn’t really exist in France. In France, people tend to dress more ‘properly,’ even for errands or grocery shopping. But in the U.S., it's totally normal to throw on athleisure and head out for coffee or lunch with friends. You’d never catch a French person doing that—athleisure is strictly workout gear. France has pretty strict rules when it comes to fashion, and that applies to how people dress day-to-day.
On the other hand, I think New Yorkers, especially the younger generations, are so bold and creative with their fashion choices. There’s a lot of audacity in the way they dress. In contrast, French style is more about elegance and being visually pleasing, which is inspiring in its own right. But there’s less room for creative experimentation, partly because of the strong cultural norms around how to dress.
Another thing I’ve noticed is how Americans really appreciate European luxury fashion brands, especially the ones from the '80s, '90s, and early 2000s. Since most of these fashion houses—like Chanel and Dior—are European, they’re kind of woven into French culture. But for Americans, these brands are symbols of something rare and exclusive, something that not everyone has access to. There’s a sense of history and refinement that’s tied to them, and I think that makes them extra special here.
You have spoken a little bit about the struggle between turning your passion into a business and how to avoid burn out. I am struggling with this myself at the moment. Can you tell us a bit about what this balance looks like for you?
To avoid burnout in my business, a few things have really helped me:
First, I had to shift my mindset and start seeing my business as an actual business, not just a hobby. This change helped me approach things with more focus and purpose. I also work on finding the right balance between doing what I love and what brings me joy, and focusing on the things that actually make sense for the business. Having a more strategic mindset has been key to making smarter decisions.
Another big lesson has been learning to say no to opportunities or tasks that don't align with my goals or values. Letting go of things that aren't serving me has been surprisingly freeing. I’ve also gotten better at setting boundaries, especially when it comes to not overworking myself. It’s important to have clear lines between work time and personal time.
And finally, I’ve learned to step away from my work and remind myself that I'm more than just my business. It's essential to have an identity outside of work, so I don’t lose myself in it.
How do you source your pieces and has there been a piece that you didn't buy and now regret?
I try to go back to France every six months or so to source pieces in person and hit up all my favourite spots. There’s something special about seeing the items up close—touching the fabrics, checking out the cuts and designs, and noticing all the little details that make each piece unique.
You know that saying, “nothing haunts you like the vintage you didn’t buy”? It’s 100% true! I kick myself for passing on so many vintage Alaïa pieces back when I could find them for under $100. Alaïa is one of my all-time favourite designers—his pieces are just incredible. The construction is flawless, and they always drape so beautifully on any body. His leather pieces are my absolute favourite, and I’ve been dreaming of owning one of his leather coats for the past three years. The problem is, now it’s almost impossible to find anything by him for under $500!
What has been your greatest vintage find so far?
I’ve had some amazing vintage finds, and a few stand out as real highlights. One of my favorite pieces is a Christian Dior by John Galliano blue bead choker that Rihanna actually bought from me! Another one I’m really proud of is a 1996 Gucci by Tom Ford red velvet suit, which was featured on the runway and worn by Gwyneth Paltrow—such a statement piece.
I also found a Christian Dior by Galliano white bead choker that Gigi Hadid bought from me, which was such a cool moment. And probably one of the most special pieces I've come across is a Fall 1997 Christian Dior by Galliano lilac qipao mini dress with white beads at the collar. It was seen on the runway and later worn by Kim Kardashian. It’s one of those iconic pieces that I’ll always remember.
Do you have a favourite garment in your wardrobe? A piece that makes you feel a million bucks?
It’s hard to pick just one favourite because I have a few pieces I really love, but I’ll share some of my all-time favourites. Anything I’ve gotten from my mom holds a special place in my heart. It’s so meaningful to wear pieces that I saw her wear when I was growing up. One of my favourites is this Kenzo white lace top that was hers. It goes with everything and really elevates any outfit. She actually wore that same top the day I was baptised, and I have this beautiful photo of her holding me as a baby in her arms on that day.
I also adore this vintage Burberry white coat from the '80s that was hers, and she wore it the day I got baptised too. Now it’s part of my winter wardrobe, and I get so many compliments whenever I wear it. I love the idea of wearing a white coat in winter, especially since everyone tends to go for black coats these days.
Lately, I’ve also been obsessed with a black dress I got from your brand. It’s one of the few non-vintage pieces I own, but I just love it. Whenever I wear it, I feel so feminine, and I love its unique shape. It’s one of those pieces that makes me feel confident, elegant, and ready to take on the world!
How would someone go about sourcing something specific through you?
Anyone can reach out to me via Instagram or email. When it comes to sourcing, I always ask a lot of questions because I want to make sure I get as specific as possible. The more info I have, the better I can narrow down my search and find exactly what my clients are looking for. I usually ask them to create a little mood-board with their style inspirations, preferred colours, fashion eras, and any other details that could help me understand what they're after.
It’s honestly one of my favourite parts of the job. I’ve always done this for myself before I became a vintage seller, and I still do it for my online store now. It’s so rewarding, especially when it's for something special like a wedding or a birthday party—it makes it feel so personal and tailored to each client.